It began with walks along the coast, photographing foam trails, surface textures, and tidal marks. Using Photoshop’s Magic Wand tool, I extracted patterns from these images to build layered compositions. The result is a series of Risograph posters, imprints of ebb and flow, balancing chance and control.

The zine brings together these abstractions with photographs from the seaside, alongside my own written reflections — capturing a personal and collective relationship to place, movement, and time.